يحكى أن

اغنية جميلة لفرقة اسكندريلا من اروع فنانين الثورة

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Moderat

My song and video selection of the day comes from Moderat, which is a collaboration project between Apparat and Modeselektor. I am personally partial to Apparat’s rhythm and melodies. So while the rest of the Moderat album is at times a bit too glitchy for me, it nevertheless manages to synthesize the discord of divergent visions into a coherent sound that is both soothing and innervating. The song Rusty Nails best captures this rather pleasant contradiction.

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Who Will Survive in America?

In honor of Gil Scott-Heron, who passed away a week ago, this is Comment #1. RIP.

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The words:

Poem here says, Comment #1 uh Comment #2 is dynamite but Comment #1 is the one we decided to use here this evening because it makes a comment if you listen closely on what is now being advertised in East Harlem as the Rainbow Conspiracy a combination of the Students For A Democratic Society, the Black Panthers, and the Young Lords and this is my particular comment about that conspiracy, Comment #1.

The time is in the street you know. Us living as we do upside down. And the new word to have is revolution. People don’t even want to hear the preacher spill or spiel because God’s whole card has been thoroughly piqued. And America is now blood and tears instead of milk and honey. The youngsters who were programmed to continue fucking up woke up one night digging Paul Revere and Nat Turner as the good guys. America stripped for bed and we had not all yet closed our eyes. The signs of Truth were tattooed across our open ended vagina. We learned to our amazement untold tale of scandal. Two long centuries buried in the musty vault, hosed down daily with a gagging perfume. America was a bastard the illegitimate daughter of the mother country whose legs were then spread around the world and a rapist known as freedom, free doom. Democracy, liberty, and justice were revolutionary code names that preceded the bubbling bubbling bubbling bubbling bubbling in the mother country’s crotch and behold a baby girl was born, nurtured by slave holders and whitey racists it grew and grew and grew screwing indiscriminately like mother like daughter everything unplagued by her madame mother. The present mocks us, good Black people with keen memories set fire to the bastards who ask us in a whisper to melt and integrate. Young, very young, teeny bopping revolt on weekend young dig by proxy what a mental ass kicking they receive through institutionalized everything and vomit up slogans to stay out of Vietnam. They seek to hide their relationship with the world’s prostitute alienating themselves from everything except dirt and money with long hair, grime, and dope to camo-hide the things that cannot be hidden. They become runaway children to walk the streets downtown with everyday Black people sitting on the curb crying because we know that they will go back home with a clear conscience and a college degree. The irony of it all, of course, is when a pale face SDS motherfucker dares look hurt when I tell him to go find his own revolution. He wonders why I tell him that America’s revolution will not be the melting pot but the toilet bowl. He is fighting for legalized smoke, or lower voting age, less lip from his generation gap and fucking in the street. Where is my parallel to that? All I want is a good home and a wife and a children and some food to feed them every night. Back goes pale face to basics. Does Little Orphan Annie have a natural? Do Sluggos kings make him a refugee from Mandingo? What does Webster say about soul? I say you silly chipe motherfucker, your great grandfather tied a ball and chain to my balls and bounced me through a cotton field while I lived in an unflushable toilet bowl and now you want me to help you overthrow what? The only Truth that can be delivered to a four year revolutionary with a whole card i.e. skin is this: fuck up what you can in the name of Piggy Wallace, Dickless Nixon, and Spiro Agnew. Leave brother Cleaver and Brother Malcolm alone please. After all is said and done build a new route to China if they’ll have you.

Who will survive in America?
Who will survive in America?
Who will survive in America?
Who will survive in America?

Johnny Rottin’

Rule of thumb: in an interview, if you are starting to sound like an idiot and your publicist does not tell you to stop being an racist douche bag, then it’s time to fire him/her. It may be “hip” to tell the the Queen of England to piss off, but lashing out on people living under the only occupation that still exists in the 21st century is not quite that brave. Rotten vomits these words: “If Elvis-fucking-Costello wants to pull out of a gig in Israel because he’s suddenly got this compassion for Palestinians, then good on him. But I have absolutely one rule, right? Until I see an Arab country, a Muslim country, with a democracy, I won’t understand how anyone can have a problem with how they’re treated.” Umm, the last thing I want to hear right now is a racist Brit’s opinion about the Israeli-Palestinian conflict. Have you not done enough damage?

Barra, Barra

Ever since I went to Paris in December 2009, I have had a mild obsession with Algerian music or Raï, which literally means “opinion” in Arabic.  It was so interesting to see the North African community in Paris, and in the short time I was there I developed an affinity for them and their Franco-Arab culture. Raï originates from a town called Oran in Algeria and is a folksy type of Bedouin music that began in the 1930s.  Learning about the history of raï is fascinating insofar as it weaves gender relations with the present religious extremism and the past colonization.  The rural soul of this type of music fuses art with social and political issues that narrate Algerian history better than any book. It also incorporates French and Spanish musical influences as part of the reality of European presence in the region. A raï singer is often referred as Cheb (male) and Chebba (female), which means “young one.” So you have Cheb Khaled or Chebba Fadela in contrast with the traditional titles like “sheikh” (referred to older people to indicate wisdom).  The title of this post is a song by Rachid Taha and it means “Everybody Out” or literally “get out, get out” as it refers to the troubling conditions in Algeria that led many to flee to France. Many raï singers therefore now reside in Paris since their persecution by Islamists after Algeria gained independence in 1962.  However, I will leave you with a song by the French-born Algerian singer Faudel called “Eray” since it has been stuck in my head for quite a while now.

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Back from Hiatus

Only to share the musical wealth of Pink Floyd.  Enjoy “One of My Turns.” Magic happens in the milliseconds between 2:14 and 2:15.

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15 Steps, Then A Shear Drop

A much belated post on Radiohead’s Grammy performance.  The band performed “15 Step” with the USC Trojan Marching Band. The most genius thing about Radiohead is that they manage to make their live performances either match or exceed the quality of their recordings.  Here, “15 Step” is as inventive and intoxicating as when I first heard it on the In Rainbows album, if not more.  Later I heard Radiohead snubbed Miley Cyrus when they declined to meet her.  This was the icing on the cake for me.  This band truly can do no wrong. Enjoy!

 

M.I.A.

I have been busy this week moving back to the city and getting settled in, but I am not only missing in action in the blogosphere. I am also M.I.A. at tonight’s Outside Land’s Festival at Golden Gate Park where Radiohead play from 8 to 10pm. In the words of Beck (and he will also be playing at the concert tonight), “Soy un perdedor…I’m a loser babyyyy….so why don’t you…” ugh why don’t you not remind me that I am missing out on the greatest band to walk the Earth. And I’m talking objectively here. I am totally regretting not buying a ticket.  Damn. 

TDK Score

I always talk about The Dark Knight movie, but this time I will spare you my obsessive fascination with the movie itself and instead promote the score (it too does not disappoint)—especially tracks 2, 11, and 12 of the soundtrack which are “I’m Not a Hero,” “Agent of Chaos,” and “Introduce a Little Anarchy,” respectively.

Also, in case you are a Batman junkie, check out The Gotham Times (and click on the burning top left corner of the paper) and IBelieveInHarveyDent.Com. They were part of the promo for the movie, and they are fun to navigate.

Big Ideas

I found this really cool remix of the song “Nude” by Radiohead.  The remix was made by a Glasgow School of Art student who (and I quote him) “grouped together a collection of old redundant hardware, and placed them in a situation where they’re trying their best to do something that they’re not exactly designed to do, and not quite getting there.”  The sound is crazy considering the source.  It is really neat.  Check it out:

Big Ideas (don’t get any) from James Houston on Vimeo.